At a high-stakes earthbending match, Aang discovers the teacher he's been seeking. Painful memories emerge after Zuko befriends a farming family.
"A Fight, Once Begun" was written by Phinneas Kiyomura and directed by Jabbar Raisani
The Beifong family prides itself on being close with the Avatar. It's on full display in their home. This connection provides distinction and honor. Katara immediately sees that as an opportunity to get all the supplies needed for the refugees. Aang has to sit for a portrait. He's more interested in finding an earthbending teacher. Bumi told him to find a master of neutral jing. Katara, Sokka and Suki discuss what this actually means while fighting. Yet Toph has never heard of the concept. It's not something she focuses on through her bending. She's the embodiment of the skill though. Bending is an extension of her senses. It allows her to see the world despite being blind. Her parents see her disability as limiting. They need to protect her as a delicate flower. That's also the practice of their famed lineage. That's how they must behave through their interactions with the Avatar. Toph will be of service as well. She follows a different path. One that connects directly with the Avatar. She is honoring her family. Her parents don't see that. They see a rebellious daughter who has been given too much freedom. Aang is in awe of Toph's skills. Bending isn't just about strength to her. He's desperate to have her as her teacher. He allows her to be her true self. That's freeing while also introducing a grave threat as the Beifongs have the resources to make life difficult for Team Avatar.
The Beifong family prides itself on being close with the Avatar. It's on full display in their home. This connection provides distinction and honor. Katara immediately sees that as an opportunity to get all the supplies needed for the refugees. Aang has to sit for a portrait. He's more interested in finding an earthbending teacher. Bumi told him to find a master of neutral jing. Katara, Sokka and Suki discuss what this actually means while fighting. Yet Toph has never heard of the concept. It's not something she focuses on through her bending. She's the embodiment of the skill though. Bending is an extension of her senses. It allows her to see the world despite being blind. Her parents see her disability as limiting. They need to protect her as a delicate flower. That's also the practice of their famed lineage. That's how they must behave through their interactions with the Avatar. Toph will be of service as well. She follows a different path. One that connects directly with the Avatar. She is honoring her family. Her parents don't see that. They see a rebellious daughter who has been given too much freedom. Aang is in awe of Toph's skills. Bending isn't just about strength to her. He's desperate to have her as her teacher. He allows her to be her true self. That's freeing while also introducing a grave threat as the Beifongs have the resources to make life difficult for Team Avatar.
That clarity for Aang and Toph is in contrast to Zuko. He's lost. He was furious working on a farm. He couldn't settle for a life like that. He pushed his uncle away. He commits devious acts. That's not who he is either. He regrets stealing from a pregnant couple. He steps up when Peng is bullied by wannabe earthbending soldiers. Zuko can never escape from the shame of his past. It's written all over his face. It's communicated through his scar. That doesn't have to be seen as his greatest mistake. It's a message that he escaped. He got out. He survived. Fei has that clarity. She couldn't stop soldiers from attacking. She stood for her beliefs. That doesn't mean she can forgive Zuko upon learning he's a firebender. Everything immediately changes upon that reveal. He has the potential to escape to a different life. The opportunities are there waiting for him to embrace. He can't shake his quest to capture the Avatar. He doesn't listen when Azula arrives with news of his pardon. The Fire Lord wants him home. Zuko doesn't believe that. He thinks he must be strong to earn his place in the family. That's how Ozai raised his children. That can't be denied now.
Ozai and Ursa were married to merge two powerful families as one. They approach parenting differently. In fact, they are in opposition. Ursa wants her children to respect each other. They must settle their disagreements with honor. Ozai declares that every conflict must have a winner and a loser. Zuko is weak for not putting his younger sister in her place. Azula is allowed to run rampant because no one checks her unhinged behavior. When Ursa attempts to escape, she tries to save both of her children. She wanted to shield them from what Ozai had planned. Lu Ten's death was used as the catalyst for Ozai to become Fire Lord. Even before that, he saw his children as an heir and a spare. He had a future that wouldn't be limited by his standing in the world. Ursa saw that ambition and was frightened. She couldn't save her children. Now, they are tortured by the past and desperate to please their father. Azula only hunts the Avatar because it will bring her to Zuko. It's not significant to capture one of the most powerful people in the world. She can't allow Zuko to continue with his mission. She's ultimately outmatched. She still leaves her mark by blasting Iroh who just wanted to protect Zuko once more. It's a bit of a rushed development. It's clear Iroh was never too far from his nephew. He suddenly appears and quickly injured. Zuko can't allow Katara to help even when she offers. They escape to the same desolate environment that defined Zuko's life before his adventure in town with the Avatar, Azula, Peng and Fei.
