Wednesday, April 5, 2023

REVIEW: 'The Mandalorian' - A Democratic System Hires Din and Bo-Katan for a New Mission in 'Chapter 22: Guns for Hire'

Disney+'s The Mandalorian - Episode 3.06 "Chapter 22: Guns for Hire"

The Mandalorian visits an opulent world.

"Chapter 22: Guns for Hire" was written by Jon Favreau and directed by Bryce Dallas Howard


Is any planet capable of having a prosperous and idyllic civilization? The effects and influence of the Empire were far-reaching. Meanwhile, the New Republic struggles under the weight of its commitments to member states. That's largely created a patchwork of systems throughout the galaxy. Some proudly declare their independence. That's the way they can function. And yet, the threats are numerous. Danger lurks around every corner. People can't foolishly believe they will go untouched by the horrors of war. And yet, every story in this universe has centered on those on the front lines fighting for something they believe in. Those beliefs are powerful. That doesn't necessarily mean they have control over the systems that govern the galaxy. In fact, plenty of people prosper through their entitled and selfish desires. So many have the luxury of being far removed from the conflict. They don't seek to empathize with each other. When a new government form, it's daunting to oversee the vast reaches of space. It requires the right vision and leadership. That has never been a unifying idea. Instead, it's just a bunch of disparate people trying to make things work. Din has long had contempt for the way society functions. He found his way through the covert. He was accepted. He embraces the creed. He is strong in his identity. He pursued redemption to gain that recognition once more. Bo-Katan has been freed because the Armorer lifts her up as the great unifier. She is the only person who can unite the various Mandalorian factions. They need to be united in order to restore Mandalore. It wasn't good enough for Din and Bo-Katan to simply bathe in the living waters. Everyone deserves an opportunity to ground themselves in the planet at the root of their culture. Din and Bo-Katan are focused on that mission. That requires them to seek out the squad that abandoned her. She failed to wield the dark saber. She didn't have that legitimacy. Din is still willing to give her the weapon. She uses it much more effectively than he ever could. He recognizes his limitations. Moreover, he is inspired to walk a path in pursuit of something greater. He sees that honor within Bo-Katan as well. They must respect each other as they embark on this journey. It requires their respective expertise in order to prevail. It's incredibly significant when Bo-Katan challenges Axe Woves. Under his leadership, the Mandalorians have become mercenaries. They complete any job for the right price. They honor these deals. It's a twist on the conventional creed. It's what they have to do to survive. Hope was lost. They needed direction. This is what was offered to them. It may not be much. It's a means for survival. Bo-Katan offers something more. She lifts up her weapon more powerfully than ever before. She claims that as her own. It's moving. It's also the suggestion of momentum that is somewhat derailed by the episode that precedes that significant ending.

The Mandalorians received support on Plazir-15. This is an outer rim planet Din has never heard of before. Bo-Katan knows where to find her fellow Mandalorians. Those tracker instincts reside within each of them. They know how to navigate the galaxy and accomplish the task at hand. However, Din and Bo-Katan land on a planet in the embrace of democracy. That's a noble idea comforting to see introduced in this universe. However, the silly nature of the tone offers much to be desired. It's definitely boosted by Jack Black and Lizzo's unexpected appearances as the rulers of this planet. She comes from a royal family. He is a reformed Imperial officer. They fell in love. They were fairly elected. And yet, they don't seem to do anything. They are aware of a problem. They are constrained by the verdicts of democratic elections. The population refuses to work. They would rather bask in the luxury of having droids do every task for them. That fits into Din's overall condescension. He only sees the peril of people relying on machines to do their work. It's not the sign of someone attuned with the needs of the universe. It's dramatically opposed to the nature of the creed. However, this independent planet is willing to offer diplomatic recognition of Mandalore should Din and Bo-Katan solve their malfunctioning droid problems. As such, it becomes a classic investigation. A disaster strikes. Suspects emerge. Bo-Katan and Din clash over the best way to produce results. They solve the case. It's fairly conventional. As such, it doesn't quite feel of the same piece as the rest of this universe. Yes, it's crucial to explore different worlds and possibilities. Plazir-15 was touched by the Empire. They may even serve as evidence for how a planet can be restored despite that prior destruction. That's what the Mandalorians are hoping to achieve. However, it's also a distraction from what Bo-Katan and Din set out to do. They accept the mission. That's the way. They want to move as quickly as possible. They succeeding in doing so. They realize Commissioner Helgate, who oversaw the reprogramming of the droids, introduced a nefarious nano component. He's ultimately a Separatist loyalist. He proclaims the greatness of Count Dooku. That showcases the long memory one must have of this universe. Bo-Katan understands. It touches her more personally than any of the other characters. That's all in the past. Right now, everyone has their eyes on the future. They only see possibilities. That's honorable. But this is also an episode where Lizzo simply gets to delight in playing around with Grogu while Jack Black sports a magnificent beard. The casting distracts from the overall seriousness of what the narrative hopes to achieve. It veers off course. It finds its way back. It's more jarring than the storytelling has ever been before. The show produces great episodic content. And yet, it's hard to see the overall arc of the season in a way that justifies every distraction that occurs along the way. Some missions provide vital developments. Others are simply passing time while enjoying whomever got booked on the show. Not everything needs purpose right away. It's certainly a comforting quality that allows the audience to trust every development that will happen later on.